7th sense movie review

Banner:	Lakshmi Ganapathi Films
Cast:	Suriya, Shruti Haasan, Avinash and Abhinaya
Direction:	A R Murugadoss
Production:	Subrahmanyam B
Music:	Harris Jayaraj                                                                                                                     The names of AR Murugadoss and Udayanidhi Stalin made us believe in the potential of 7th Sense to be an avant-garde sci-fi. Unfortunately, the film does not perform anywhere near the feat was expected to do. But inspiring message of the film, things like companionship, genetic science and DNA make it seem an attempt Doughty on the part of the machine Ghajini. In fairness to AR, the film is no small feat for a director in southern India. The amazing breadth is impressive, but the director is trying to play to the gallery for most of the first half being in a traditional style, thus failing to be faithful to history. The film begins on a lavish scale. Located in 520 AD, it recreates both the Pallava country centuries old in the south of the Vindhyas and the bucolic China realistically. Start on a good note, the narrator tells the story of Bodhidharma here. A martial arts exponent, who was also a connoisseur Samhitha Charaka, Bodhidharma (Suriya) visits China after being instructed by his guru Matha. Through many landscapes, it reached the neighboring country, that of being ostracized by the xenophobic people in this part of China. Soon they realize that Bodhi has powers seer after he heals those who are affected by a deadly disease by applying his knowledge of medicine Bharatiya. It reaches a heroic status in society when he defends the village from the onslaught of aliens in a fight remarkable run. This sequence of gravity-defying action, shot on Suirya and foreign fighters, is a visual feast. Imagine a fight where a hero clairvoyant who can control the five elements is armed men. This fight just saw your expectations. And beard Rasputinesque Suriya adds charm to holy struggle. Going back to the story, the film cut this after the death of Bodhi. Aravind (Suirya new) is a circus artist, who lives in Chennai with an amazing line. Shuba Srinivas (Shruti Hassan) is a research scholar, pursuing genetic engineering and hopes to apply the study for his research on DNA Bodhidharma. It aims to trigger the dormant genetic memory of the offspring of Bodhi with the highest percentage of its (Bodhi) DNA. No prizes for guessing that Aravind is a descendant. Meanwhile, China plans to declare a war against India in bio-infecting at least 3 million Indians with a deadly virus (the kind that killed lakhs of the Chinese 1600 years ago). But it is a threat to the success of his mission. Bodhidharma may return in the body of Aravind any time if the experiment succeeds futuristic Shuba. (We are told that the idea is in its infancy in the United States! Nevertheless, our heroine made rapid progress in that while having fun with our hero). The tone of a larger than life stand-off is set at Dong Lee (Johnny Tri Nguye) from India to perform operations and eliminate the Red Shuba brilliant. How do Aravind has acquired almost superhuman powers of his ancestor, Bodhi? What problems Shuba and face in their adventure of disinterested save millions of lives to be affected by the virus kills life? The answers to these questions are answered in the second half, which is not look for the way the story unfolds, but for two or three episodes of action and a great number of Nice. First the positives. 7th Sense works very well in the songs. The first block of 15 minutes to remind you that Kamal Hassan made in Dasavatharam. Ravi K Chandran's cinematography stands out here, where the narrative voice of stentorian Mano ratchets up the intensity. Characterization of Lee Dong is mean another major high light. For a change, the destruction of anti-hero has tremendous hypnotic powers, and each sequence where he wrecks disaster after disaster is brilliant. (You Gunning police each other down, a fight beautiful road where vehicles fly and the common man is our hero and heroine under the magical influence of the wicked). How Shuba and friends plan to address the situation by retreating into a laboratory located in the forest near the IIT-Madras to work on the revival of genetic traits in Bodhi Aravind works. The discourse of genetic memory and engineering of the DNA of a person is a new concept in an Indian film but the director fails to move forward. The genius of our ancestors is invoked to inspire the nation to bring to life the wisdom of the Indians buried. The graphics are pleasing. Fortunately, the songs do not interfere the story in the second half. On the other hand, the film has too many fault lines. First, the romantic track that starts right after the flashback and continues to harass us until almost immediately before the block of the interval is, to say the least, misplaced. Where was the need for two duets and a song of tragic hero after he comes to know that Shuba is after him to use it for research? The entire track is not essential to the story. We understand the director / writer need the commercial to infuse the usual dose of eccentric movie, but the public does not go to the theater expecting to see such things in a much vaunted Sci Fi thriller. It would have been logical to keep it minimal. A scene where Shuba is expected to present his idea of ​​the thesis ends up being a poorly written lecture on the antiquity and greatness of Telugu. Murugadoss waste the opportunity to build momentum throughout. Instead of exploring the technical aspects of the fundamental idea which runs through the film, which would have added a touch of the esoteric meaning of the procedure, it keeps the film simple. The songs are intrusive in the first half. Dialogues could have been much better. Suriya character is surprisingly sketchy. It does justice to the role, however. Shruti Hassan fits the bill and looks beautiful in the songs. The actor plays Vietnamese Dong Lee is superb. There is nothing to write about others that appear in blink-your-eyes-and you-will-miss-it cameos. Overall, 7th Sense does not live up to expectations. Attempt to Murugadoss' can be bold, but this technique falls flat. He should have known that this is not a Ghajini where the overplay of the element of love is required. Postscript: The biggest removing the film is its message. "O you! The children of the Rishis, unite. You have a world to win. "As a citizen of India in love, you would like to urgently appeal to all Suriya to revive the legacy of countless mahatmas spiritual and scientific in the end, but not forcefully delivered, not should not go unnoticed.

Bejawada rowdeelu movie review

Banner:	Shreya Productions
Cast:	Naga Chaitanya, Amala Paul and Prabhu
Direction:	Vivek Krishna
Production: Ramgopal Varma and Kiran Kumar Koneru Music: Amar Mohle, Pradeep Koneru and Prem
	Amar Mohle, Pradeep Koneru and Pre	It does not matter whether or not Bejawada become a flop (which we predict will be its fate), but one thing is clear. RGV and some children of his school live in a cocoon. They seriously underestimate the intelligence public, or that they are open-minded enough to look around for inspiration. Children believe that Varma knows everything and there is no world beyond him. None in the world except themselves are more in love with films such as Ram Sarkar. Bejawada offering ridiculous Vivek Krishna, is an interpretation of these Class C films. Bejawada a RGV stamp on it. It is this - the language horribly routine inspired by the style of RGV, which makes Bejawada useless. The creative director is not inspired, it is dirty. Some inspirations are notoriously bad. They managed to bring infamy to the original. As Bejawada, defiles Sarkar. Exaggerated expressions, the behavior of the boundary of imitation, immature dialogues, songs, intrusive, and above all, even old characters for which Gore is the purpose in life. This is what is Bejawada. Kali Prasad (Prabhu in a more reactive role) is a Goonda good heart who believes that draws its strength from the fact that people think they need it - it avoids the policy because, if the policy people think it needs it. Well said! Vijay Krishna (Mukul Dev) is his trusted lieutenant. Shankar (Abhimanyu Singh), Kali's brother, is upset because Kali is the promotion of the cost of Vijay Krishna himself. (How many movies have this item? Ab Tak chappan?) Kali, shining like a star in Bejawada, where, he says, the murders are not committed for no reason (laugh out loud!), Meeting the enemy when his brother's assassination steps for obvious reasons. The brother now grudges Vijay Krishna, the other enemy in his life. Shiva Krishna (Naga Chaitanya in a reactionary role) is the brother Vijay Krishna. A university student, he is constantly asked by his brother to stay away from gang warfare, et al. But how long is Shiva will be away from this world of bedlam and revenge? You've got it right. The story should already be playing in your mind. Following after Abhimanyu Singh begins his assault with a di kolaveri (murderous rage) is anybody's guess. What works against the film is that it seems repetitive. While RGV stamp is all over the place, the director throws common sense to the winds. If the clamor of sounds in the background is irrelevant, unnecessary emotions and action sequences give a taste of amateur secondrateness of Bejawada. Performance-wise, especially Chai shows an improvement in his diction. However, with a good director, he certainly managed to snatch the role, which requires intensity is even better. While doing too Prabhu, Mukul Dev does justice to his role. Abhimanyu Singh is threatening to the good. Amala Paul, a talent is rewarded, surprisingly, a huge disappointment. The film will be remembered for his childish dialogues well. Chai is a search for six-pack abs by saying they can not win a war. At one point, Ajay (his brother) said that the danger has always been in their family. Is it a parody or just drivel involuntarily? PS: RGV usually describes everything that fascinated him as better than sex. What do we compare to Bejawada? Here it is - is worse than Bejawada Dhadi.

Rebel movie review

Rebel Movie Review
Rebel Prabhas
Actor: Prabhas, Actress: Tamanna & Deeksha Seth, Director: Lawrence,
Prabhas's latest flick Rebel's last movie schedule Will start from November 5th. Deeksha Seth and Tamanna are pairing with Prabhas. SS Thaman IS scoring the music. C. Ramprasad IS handling the camera. Darling Swamy IS penning the dialogues. According To Rebel makers Would Be the Highest budget film in Prabhas's career. Director Said Lawrence, "Rebel Is A perfect film for Prabhas personality and image. This is a film tailor made for HIM HE Which only can do it. His extraordinary performance in this film IS. Producers are making this film aussi excellent year in Manner. From all aspects, 'Rebel' Will Be A Good film for all of us.

Rebel Star Prabhas YOUNG currently works for a film entitled "Rebel" and the filming was at home Himayat Sagar Guest for the last days. An introduction to some photos of key Krishnam Raju were filmed here. Krishnam Raju acted as the father of Prabhas in this film. Deeksha Seth and Tamanna are the female leads in this film.  Sources say the film unit would go abroad to shoot in December for a few songs. Pulla Rao producer and director Lawrence will be scouting locations from Dec. 1, according to information we have.  Music is being composed by Thaman. The film is a stylish thriller Prabhas is sporting a new look "Rebel."

Telugammayi movie review

Director: Raja Vannemreddy
Producer:
Babu Rao Vanapalli Music
Director: Srinivas Vandemataram
Starring: Saloni, Vikram, Yashwant, Harsha, Saichand, Shafi, etc.
  Director Raja Reddy Vannem was so inspired by a song in the film Teluguammayi Maryada Ramanna Rajamouli, he chose the title song for his film, and also take heroin even Saloni.Telugammayi on screen today and we will see how the prices of cinema.  What is it about: From the beginning, Kalidasu (Shafi) of rape and murder of a young girl at an inn. Cut to, a few bytes of the television news reader saying how similar cases have occurred and the serial killer was never found. Cut to a train station, where we meet many characters, including Shiva, Chinna, Munna are cataloged as they are introduced. They are soon joined by Bala Tripura Sundari (Saloni), and each of these four friends vow to "impress" the girl. As the film moves from Secunderabad to Vijayawada as slowly as possible, Kalidasu joined the group and started misbehaving with everyone, and more with our Herion wearing a sari and a half. The boys decide to do something, and what they do - they stab him to death! The body is cast, and it is not long before the long hands of the police to find the deadly quartet. But are they really guilty? Kills a rapist a crime? Telugammayi has the answers.  What is good: in a film where the first fifty minutes of it, you do not receive what is happening and why, you can hardly expect a good thing to write. We can say that Sai Kumar is good in the Guest little he has, and Shafi is great in the role just ugly, it a. However, with errors scenario that even a child could point Telugammayi is just a mess.  What is bad: Saloni seems extremely comfortable with her appearance and the strong emphasis given to her throughout the first half. The casting Venu Madhav as others, Geeta Singh, Jhansi, MS Narayana did not look interested in the process of the film, but they manage to do their gags as usual. The other four male actors do not look interested, but the poor simply can not act. Maybe they could have tried, but the director was too busy to emulate Venki Srinu Vytla with a very long training sequence, and he forgot he had a story to tell. When he realizes he does not know if the film is a comic or dramatic thriller directed women, even leaving us clueless as to what is happening.  Technical departments: Cinematography and editing are very poor. The dialogues are below average and better care must be taken in this department. Background score is nothing to write home about. The scenario gets interesting towards the end, but the director had to include an item number, which kills almost any kind of "waiting" we finally did the film.  End point: As a Telugu film critic I am expected to sit through films that would test my patience. Teluguammayi tops my list of "patience testers" so far. There is nothing to watch in this film.

O my friend review

Ratings: 3.5 / 5Producer: Dil Raju
Starring: Siddharth, Shruti Haasan, Navadeep, hansik.Director: Venu SriramStarring: Siddharth, Shruti Haasan, Navadeep, hansik.

Storyline:Music Director: RahulrajSiddharth and Dil Raju joined after five long years to try to recreate the magic of "Bommarillu". This time, Siddharth and Shruti Haasan has hansik to society. Oh My Friend was directed by Venu Sriram. The film hits screens today, anywhere in the world and this is my opinion on the film
History: The film revolves around the lives of two very close friends, Chandu (Siddharth) and Siri (Shruti Haasan) Chandu is a budding musician and Siri is a classical dancer .. Chandu and Siri from a very close friendship that is pure and platonic in nature, but everybody keeps misunderstanding.
Chandu falls in love with Ritu (hansik) and is engaged to Uday Siri (Navdeep). Everything is beautiful and pink for a while, but things start to fall apart when the jealousy and possessiveness in relationships begin crawling.
The rest of the film is how Chandu Siri and save the relationship and what sacrifices they make for them.
Pros: The script moves along at a brisk pace and quality of the narration is top notch. The director deserves a special mention to keep things interesting when the script is extremely thin.
Siddharth has another performance balanced and composed. It looks good and suits the character perfectly Chandu. The revelation of the film is Shruti Haasan. It provides what is probably his best performance career. It looks gorgeous on the screen and histrionics have improved. Although not romantic chemistry between the screen and Shruti Haasan Siddharth is remarkable and will stay with you long after you leave the theater .. Performances like these are tic films.
Hansik did a good job as the love interest of Siddharth. Navdeep is suitable as a comedy track dissatisfied lover.Ali's in Kerala is hilarious. The relationship between father and son and Siddharth Tanikella Bharani was recorded really well. The feeling in this relationship was captured effectively.
Songs have been picturized well and they are a major asset for the film.
Cons: hansik needs to take care of her appearance. The scenes concept, script and many in the film will remind you of Chiranjeevi 'Iddaru Mitrulu. " Shruti Haasan keeps uttering "Samputha Bidda 'in Telangana slang frequently and it sounds a bit odd.
The concept of people misunderstanding the relationship between two friends who happen to belong to the opposite sex is very old.
The film starts to turn predictable and melodramatic as it inches toward the highest point.
Technical Departments: background score and re Manisharma deserve special mention here. It is simply remarkable. Raj tunes are good. The cinematography is very good throughout the film. Production values ​​are rich.
Dialogues were written well and provide the necessary depth in key scenes. The installation is correct.
Verdict: Dil Raju and Siddharth have a winner on their hands. "Oh My Friend" is a film that shows what the world of difference good storytelling can do for an entertaining film script.The way is right to the end and there is hardly a dull moment. Good music , rich cinematography and background score in circulation are major assets of the film. A somewhat predictable outcome and a familiar story are the only drawbacks. Go watch "Oh My Friend." You come out feeling good.